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Showing posts with label Film of the week. Show all posts
Showing posts with label Film of the week. Show all posts

Friday, September 13, 2013

Brockporter film of the week - The Butler

Posted on 4:00 AM by Unknown


 
by Monica Beck
Lee Daniels’ The Butler
Lee Daniels’ The Butler starring Forest Whitaker is an historical drama about the life of Cecil   His tenure began in Eisenhower’s term as the country began to challenge the Jim Crow segregation laws of the south.  Cecil played the innocent bystander, and did not involve himself in politics.  His wife, played by Oprah Winfrey, stood by him and struggled with her own demons.
Gaines, a man who served in the White House as a  butler for 34 years.
They had two sons, one who attended Fisk University and  participated actively in the Civil Rights movement, which carried him to lunch counters in the south, on ‘freedom rides’ to Alabama, and eventually to jails across the south, while his father worked away in a state of worried silence as the fight for civil rights erupted.  He was witness to many private debates that helped create the 1964 Civil Rights Act which was initiated by the Kennedy administration, and enacted by the Johnson administration.  Johnson also expanded our presence in South East Asia, where Cecil’s other son chose a different fight—as a soldier in Vietnam where he was free to die for the country that denied him the same rights as his white counterparts. 
Cecil’s employment at the White House helped him to provide a middle class lifestyle and standard of living for his family, but at a cost—just like the nameless porters who worked for luxury sleeper-car magnate George Pullman, and who were all referred to as “George”.  Cecil, too, was treated as though he were invisible, as the presidential staff conducted conversations which included derogatory comments related to the ‘race question’ and our national policies.  Early on he was instructed to “avoid politics”, and never voiced his opinions, even when asked.
As a microcosm of American society, White House employment practices mirrored the same rampant racism and economic disparity that was characteristic of the rest of the country.  Several scenes depict Cecil attempting to stand up for his own equal rights, observing that the black staff made 40% of the wages that white staff earned for the same labor, but for many years his observations were met by deaf ears.  Surprisingly enough, it was not until the Reagan presidency, that blacks received the same wages, and only because Cecil got the president’s support beforehand. Remember, Ronnie had been a good ‘union man’ in Hollywood. 
Throughout the film Cecil interacts with four presidents and their families played by an ensemble cast, including Robin Williams, Jane Fonda (as Nancy Reagan), and John Cusack. 
Likewise, Forest Whitaker and Oprah Winfrey (who returned to the cinema for Daniels’ film), give Oscar worthy performances that shouldn’t be missed.  It can’t hurt the American psyche to take a personal look at the private battles that some Americans had to fight during the turbulent years of the Civil Rights movement.  I say we owe it too them.
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Friday, September 6, 2013

Brockporter film of the week - Who Killed The Electric Car?

Posted on 4:00 AM by Unknown


Editor's note:

For more about this film click here. I loved this film and love this car. I just don't understand if this is real. It almost seems too good to be true. If anyone has any more information about the veracity of the situation this film describes, please leave a comment.

The film of the week is a regular feature of the Brockporter online news magazine which appears on most Fridays. If you have a film review of less than 250 words send it to davidgmarkham@gmail.com.
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Friday, May 3, 2013

The Brockporter Movie Of The Week - Identity Thief

Posted on 4:49 AM by Unknown
From the Internet Movie Data Base:

"Sandy Patterson (Jason Bateman) gets a nice call confirming his name and other identifying information. The next thing he knows, a spa in Florida is reminding him of his appointment, and his credit cards are maxed out. With his identity stolen, Sandy leaves his wife, kids and job to literally bring the thief to justice in Colorado. But keeping tabs on the other Sandy (Melissa McCarthy) and run-ins with bounty hunters, is harder than he was expecting, and ultimately the cross-country trip is going to find both Sandys learning life tips from one another."

The critics panned it but I love it. The movie is funny, farcical at times, and has a socially redeeming message. It is still playing in Rochester at Movies 10 in Brighton where you can get in for a buck or two.

Editor's note: The Brockporter Film Of The Week is a regular feature of the Brockporter Online News Magazine which appears most Fridays. If you have  a film review that you would like to share with readers of The Brockporter, please send it to davidgmarkham@gmail.com.
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Friday, April 26, 2013

The Brockporter film review of the week - "42"

Posted on 6:50 AM by Unknown


by Monica Beck                                                                                     
                    
                                                   
“42” is a “must see” biopic of Jackie Robinson’s experience as the first major league baseball player to break the color barrier.  In 1947, Branch Rickey, whose forward thinking and steely resolve, hired and inspired Jackie to join his team the Brooklyn Dodgers, thus ending segregation in major league sports.  In fact just one year later, in 1948 the U.S military followed suit as Harry S. Truman signed an executive order desegregating the U.S. military in 1948.

Director Brian Helgeland chose actor Chadwick Boseman, not a leading man, but an actor who aced the role, capturing Robinson’s trials and triumph as he began his major league baseball career.  He proves he is more than capable to himself, his teammates, fellow ball players and Rickey as well.  Harrison Ford offers a very convincing portrayal of Branch Rickey as well.  As the film progresses he reveals more of himself—not just an opportunist, attention getter, but someone who wants to right a wrong.  Harboring regrets from his past, because he did not stand up for a player in the face of racism, he puts his career and reputation on the line for taking a chance on Robinson.

            Robinson himself played the role of social-reconstructionist, which forced Americans to look at their attitudes regarding race, and helped to pave the way for further desegregation efforts such as the desegregation of the U.S. military. In fact, while in the armed forces, Robinson was court marshaled for defying segregation policies. Robinson’s pain related to the negative effects of racism was palpable and heart breaking- to be judged not by one’s actions or abilities, but the color of one’s skin.  When Rickey and Robinson joined forces almost sixty years ago the stars must have aligned perfectly, helping to change Americans’ backward attitudes regarding race, and creating a more equitable society for the betterment of all Americans.

Editor's note: The Brockporter Online News Magazine features film and book reviews on most Fridays. If you have a film or book review you would like to share with the readers of The Brockporter please send it to davidgmarkham@gmail.com.

The film 42 is showing at the Strand Theater in Brockport, NY one of the oldest continuously operating movie theaters in the United States. Please support local business.
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Friday, March 8, 2013

The Brockporter Film Of The Week - Silver Linings Playbook

Posted on 2:18 PM by Unknown


By Cody Steffen

Silver Linings Playbook is a nervous romance starring Bradley Cooper and Jennifer Lawrence. They have issues. Patrick (Cooper) is bipolar and assaulted a man who he walked in on having an affair with his wife, the movie starts with his release from a psychiatric hospital. Tiffany (Lawrence) is undiagnosed, but has taken to sleeping around with as many people as possible to dull the pain of losing her husband.
Patrick, we learn quickly, is attempting to reconcile his relationship with his wife. He walked in on his wife having an affair and brutally assaulted the man involved, landing him in court ordered rehabilitation. He's convinced that it's only a matter of time before his wife accepts him back, despite constant reminders from his friends, family, and one timely police officer that she has a restraining order against him and he's not to contact her. 

Upon returning home to his parents house, Patrick's father (played by Robert De Niro) is skeptical about his son's readiness to rejoin society. He's also an obsessive fan of the Philadelphia Eagles and has resorted to placing superstitious bets on their games every week in order to make a living.  At it's core, Silver Linings is dysfunctional.

Like 2004's Garden State the two leads bond over their baggage. They enter each other's lives at just the right time and it's clear from the get-go that they're meant for each other. Silver Linings, however, treats the mental illnesses of these leads seriously. There's an uneasiness to every scene. Patrick and Tiffany push each other and teeter on the edge of chaos, where the entire movie lives. Soon, they develop a plan to help each other. Expectations are set in place, raised, and destroyed in their effort to find a balance.

We, the seasoned movie-goers, can safely predict how the plot's going to shake out based on our familiarity with the Hollywood romantic comedy, but Silver Lining's success lies in director David O. Russell and his terrific team of actors' ability to cast doubt over our assumptions. Underlying turmoil is always visible just below the surface, but Russell maintains control over it. It's up to Patrick and Tiffany to do the same.

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Friday, February 22, 2013

The Brockporter Movie Of The Week - Safe Haven

Posted on 7:17 AM by Unknown
Nicholas Sparks writes these romantic, dramatic, soap operish books and now he is producing movies based on them. His latest is Save Haven a story about a young woman, Katie, who escapes an abusive relationship with her cop husband and flees to an east coast Carolina Village on the ocean. Katie very cautiously starts her life over and meets Alex, a widower with two children, and guess what? That's right, they fall in love.

Meanwhile, psychopath cop husband tracks her down and tries to kill her and guess what? Alex, the new boyfriend saves her.

The movie does have a nice ending which this review won't spoil for you, but it takes an hour and 50 minutes to get there.

Elements of the plot seem a little far fetched and the story line is sparse. For example, Katie, on the lam seems to have no family, no friends, no history other than her relationship with the psychopathic cop.

The creative tension in the movie is driven by Katie's secret of her past abusive relationship and the developing love story with Alex. On a five point scale I'd give this movie a 2.5 or a 3. It's okay, but if you've got something better to do, go do it rather than waste your money and time with this movie.

The movie is playing at the Strand Theater in Brockport, NY.

For more information about Safe Haven, click here.

Editor's note: The Brockporter Film Of The Week is a regular feature of the Brockporter Online News Magazine which appears most Fridays. If you have a film review you would be willing to share here, send it to davidgmarkham@gmail.com.
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Friday, February 1, 2013

The Brockporter Film Of The Week - Zero Dark Thirty

Posted on 5:52 AM by Unknown
Zero Dark Thirty is 2 1/2 hours of tedious drama based on "cops and robbers". Can the CIA catch the bad guy? There are scenes of torture, and many scenes of "he said she said that he said maybe". The film purports to be true and there are some elements which apparently are true like the opening scene of phone calls made on 9/11. However, the way the dots are connected leave a lot to the viewer's imagination and the major critics of this film point out that the way viewers are encouraged to connect the dots may not be true at all.

For example, did water boarding and torture produce information that lead to Osama Bin Laden's capture? There is no evidence that it did so why are all the torture scenes in the movie?

Another example is the depiction of the obsessive pursuit of information by a CIA operative, Maya, as to Bin Laden's hiding spot, and her nagging of her superiors leading to the final decision to okay the invasion of the Seal Team into Bin Laden's compound. Did this one woman really play this big a role in the situation? It adds drama to the movie, but is this how it really happened?

The movie is dark, tedious, and disconcerting to watch for 2 1/2 hours. It might be worth the pain if there was anything of value to learn from the story, but alas there is not much to take away except the understanding that evil engaged in, on all sides, is banal. Why this movie was nominated for an Academy Award is hard to say other than that it depicts and dramatizes an event in American history that is worthy of cinematic depiction. Whether it is well done or not will be left for the members of the academy to say. The movie doesn't seem to achieve what it set out to do which is tell an accurate story of the events leading up to the killing of Osama Bin Laden,  and the artistic "truth" it claims to purvey has been very controversial. I am in the group which thinks the movie failed and I don't recommend it. I did not find it enjoyable, and it informational and educational value is contested. The moral lessons conveyed seem highly questionable and are not dealt with effectively.

Editor's note: The Brockporter Film Of The Week is a regular feature of the Brockporter Online News Magazine which appears on most Fridays. If you have a film review you'd like published in the Brockporter, please email it to davidgmarkham@gmail.com. If your film review is published you will receive two free passes to the Strand movie theater in Brockport, NY.
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Friday, January 18, 2013

The Brockporter film of the week - Django Unchained

Posted on 5:29 AM by Unknown


By Monica Beck

Counterpoint: Django Unchained

Many reviewers and abstainers (such as Spike Lee), consider Quentin Tarantino’s latest movie, Django Unchained, as just another example of the glorification of violence and blood lust in modern cinema.  It is possible to look at the film in another way however.  Few, if any, filmmakers have depicted slavery so realistically, willing to stare into the face of brutality.  Its treatment of the institution of slavery gives it a strong revisionist tone.
In this American spaghetti Western, Tarantino pays homage to director Sam Peckinpah who specialized in making the same type of revisionist, graphic westerns, while the music and landscapes smack of Sergio Leone—wide open spaces and anti-heroes seeking justice.  Tarantino creates some comedic moments in response to the painful subject matter.
The story takes place in the 1860’s, just prior to the Civil War, as slavery rages on.  Tarantino does not spare the viewer; slavery is depicted in his very own way— over-the-top, blood, and guts fashion.  He refuses to sugar coat it in any way.  His anti-hero and main character, Django, a newly freed slave (Jamie Foxx) teams up with a bounty hunter ‘Doctor King Schultz’ played by Christoph Waltz.  Tarantino draws parallels to slavery, human bodies as commodities, as Schulz states “I deal in flesh like the slaveholder”.  In his case however, the bodies are worth more dead than alive.  Django is a natural marksman and relishes his newly found avocation.  After making loads of money killing white villains, he and Schultz take on the next-to-impossible task of rescuing Django’s wife from slavery.  She is a captive on a plantation in the Deep South where brutality is the daily norm.
Some say Tarantino’s film glorifies violence, I say it just magnifies the dehumanization and brutality inherent to the uniquely American system of chattel slavery.  His scenes depicting ‘over the top’ violence, act like a spotlight which shines on a forgotten era whose horrors have been ignored for far too long. This is a courageous film—Bravo Tarantino!  
Editor's note: The Brockporter Film Of The Week is a regular feature of the Brockporter Online News Magazine which appears most Fridays.
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